Friday, December 31, 2010

Another lap around our fairest sun. BFD? or A NEW BEGINNING? (versus Old Beginnings)

Not until my trainer said "OKAY I WANT YOU ALL TO WORK EXTRA HARD CAUSE THIS IS YOUR LAST TIME BOXING IN THIS DECADE" (yes, she does speak in all caps) did i realize the whole end-of decade thing. I'm not one for the numbers. 
Right Over Left, from
the Pop Up Book of Terror and Despair, 2007
Starting 2001, for realz, i can honestly say it has been a relentlessly difficult ten years. I've said more than a few times, with a tired laugh finding it's way from my wet face in my hands, "it just hasn't been my decade."  Very Charlie Browny, I know. I'm more than aware. But given the actual circumstances, about as hopeful and surrender-ful as could be. Having remembered a time when life felt very different Before and Since a particular time in early 2001 creates this notion of a hopefully-bookended period of my life, versus an acceptance of "this is how it is now [-adays]."  "But Bridget, you know that only by fully saying Yes to and accepting this moment can you be happy/at peace... and this peaceful moment is all there is..."
Yup, I do.
Also, one can say "I have cancer. And I'm at peace." While at the same time motivating their spirits and bodies through more difficult times with the belief that they will get better/survive/"beat it". At least it's my experience. I feel it fully when I am saying NOOOOOOO!!!!! to what's going on during a painful time, and know it's a trap I'm stuck in.  Pema Chodron said "give up hope" - it was a completely baffling and eventually profoundly transformative teaching for me. Scratch "get better" off your list - this is it. But there are times when survival mode makes presence just about impossible, and hope or done are the polarities. Anyone who has been really sick and has a cache of Distress Tolerance skills under their belt knows that the magic words to hang in and sit through it is "this too shall pass." And there is some "future" and "hope" serving me in those moments. Even if it is, literally, about 30 seconds from now, not looking 5 years out.
Togo, 2010
So anyway, damning or not, I've created my story to have a chapter here. A chapter i try to close and start anew every day. So yes, i'll take that January 1st placebo, thank you. I have to believe that the possibility inherent in every singular moment for unstrung thusness could be especially within reach/realizable at a time when I'm believing a New Beginning is at hand. As my psychiatrist said as she pushed another long-resisted/refused Rx at me last week, "it can't possibly get worse." I know that's like a cosmic dare on some level. I guess if more annhiliation is what is in store for this continual becoming, i can just welcome that as easily (who just put an anvil in my chest?), and give myself some time and space for the weariness alongside a lighter floating-along-in-boat detachment. I can be both.
"Opening" Taken at St. George's Island, 2008.  B.A.M.
So today I'm daring myself to collect my blessings, re-commit to peace for myself and others, get rewired up to Everything/source/whathave you, and be brave enough to choose hope when the enourmity of reviewing the years is at hand. Which I do want to do. I was an avid journaller for 10+ years, and stopped when the books became too heavy with repetition - identical pages of despair, almost to the word, in every book year after year. So I stopped, and started making art. But I've found I've lost something there - I stopped torturing myself with Story and Time, but I lost learning, seeing change, and blessings (many of you know by now I have a few memory issues. ahem. where was I?)
My dad, having just lost his other daughter, found it in his heart to still feel for me, and sent an intense email last night. so emphatic that he was "a believer" that i was coming back to the light, and named the chapter-finishing, recent travels, meeting a couple of new friends and the inspiration i've found in the window into their worlds as unfettered creators and passionate seekers - all as good signs. Maybe he's just saying anything to have a happy and healthy daughter in the world. Or maybe he's right.
Akeru - an ending or opening or left-behind hole that creates the space for newness and possibility. (yaaay). 
Maybe I'll get to go "home" to the woods next week and fire and feed and silence and read my way to where this is all complete bullshit. Or maybe that will be the case after I get up and stretch and drink some water. But today, December 31, 2010, at 1:38pm, These were my Thoughts on the New Year. Peace.



Wednesday, December 1, 2010

That website I said people needed..

Okay, so I went on and on in my chapter about the lack of simple informative resources for all the teachers and parents googling "crafts for kids" or "art projects" and the like - that there just weren't sites that were actually offering appropriate activities/info for how to actually nurture your kids' creativity, versus destroying it with handprint turkeys and coloring books.
The editors, godblessem, said, "don't you think you ought to go ahead and create that resource?"

So, I have to (i guess?) get stuff I've already created for professional development/teacher trainings etc into PDF's and put them up on this page, maybe with some blurbs from my chapter...
here's all I have so far. Kind of the intro page. I had a sparse splash page, but as rad as Wix is, i get a bit lost and kind of screwed up the pages. Take a looksee, give me your thoughts, and what you want out of such a website. And how you want it. I know I need to change the scribbly font, bt Wix has limited options and I had trouble letting go.
http://www.everykidsanartist.com/

Monday, November 29, 2010

My first (out loud) review.

"Everyone, I'm happy to announce our very own Bridget Matros has been published in this here book!" (some applause)
"Would you sign our copy?"
"he heh - well, maybe, read my chapter first, then decide if you want me to sign it."
"I did."
... ((crickets))
"oh. ok." (takes pen, pretends to sign, hands back book).

That played out three times last week at work. Including the silence where someone might say something like "it was...interesting."

So let's focus on THIS REVIEW, by fellow featured author and active-and-for-real-future-of-the-arts guy, Brian Newman.

Tuesday, November 16, 2010

I'm officially "published".

I was so miserable while trying to complete my chapter for the 20Under40 anthology earlier this year. I really was. Honored and stunned to have been chosen, and absolutely a mess over the work itself. I was face to face with the scrambled eggs my brain has become for hours on end, week after week. Many days I did nothing. Nothing but try. Not a word written. I'd go to bed in a knot, not just over the nearing deadline, the waiting editor, the possibility of having to say "I'm sorry, I can't do it,"... but with the (still) frightening realization that grad school, unless someone "cures" my brain, is out of the question. Like motherhood, it's something I took for granted I'd get to someday. Then someday's horizon came into view and voila, the Oh Shit moment.* I'm currently having another week of confusion - trouble listening, understanding, and reading is hopeless. I look at notes in my handwriting that are meaningless to me, but apparently written today. I can't count, because I forget again and again what number I was on. It's not easy to keep a sense of humor about it, while at the same time that's about all I can do.
Either way. Got it done (thanks to my kind editors, who patiently read my 50 pages, slashed half of it, and waited while i screwed around with it and essentially traded - giving them back a better version of what they'd cut). Mine is still the most long-winded. But I hope an easy read. Consider the source - I couldn't even comprehend the BIOS of the other authors. A blur of master's/PhDs/directorships, honors... anyway, off it went, with everyone else's chapters, to the publishing company. My own copies will be on my doorstep soon. The rest of the world can buy theirs Dec. 1.  Great events Dec. 10 for arts people/people who like to rock the party. I'm even going to bust some tunes at Club Oberon. Woot woot.
http://20under40.org/book/
ABSTRACT: In this chapter the author takes a critical look at what’s going on amidst the pom-poms and glitter glue of pre-school arts and crafts and points to implications for individuals and the arts at large. Drawing on experience as a children’s museum visual arts educator, the author cites problematic practices and beliefs held by arts-phobic parents and teachers and provides practical examples of what can be done to nurture creativity during the often overlooked and undervalued period of early learning. Ultimately, the author argues that educating and empowering parents, caretakers, and teachers to support creative development during early childhood is an essential strategy to impact more children with a wider set of benefits than arts programs alone provide. She contends that this early intervention would additionally prime learners for arts enrichment in later years—ensuring fertile grounds for a generation that grows up fluent in, comfortable with, and expectant of the arts in all forms in their communities.
*these two may well be related - at the ripe old age of 34, I'm being treated for hormonal imbalances akin to pre-menopausal stuff... which, I just learned, is essentially one's little old eggs calling it a day/life, dying off and ceasing to produce estrogen. On the upswing, my whacked hormones give me superhuman sense of smell for a week a month. A mixed blessing, but it's fun. Especially since I forget I have it, so every month, it's a surprise. LOOK! A PLASTIC CASTLE!...LOOK! A PLASTIC CASTLE!...LOOK!

Monday, September 27, 2010

Doin' His Job

We've all been online, Googling "Hydroelectric plant Togo", and come up empty-handed. Which isn't to say it's an osbcure topic - the internet seemed to eliminate obscurity and replace it with degree-of-completeness-as-of-x-date. In fact, I found a website which claimed to catalogue every power plant in the world, with an image of each. Hydro-electric - Africa - West failed to include the very special place we visited during our romp into "the nature" outside of Kpalome, north of Lome in the plateau region. On our way out of town and close to the foot of the mountain (shout out to our driver, hooked up by a guy at a CD stand in the market) the car was surrounded suddenly by a sinister looking gang of local men, presenting a Document forbidding us from exploring the mountain without paying them (they seem to be inching their way toward the Park/reserves model here), at least part of the money going to the local village. I was freaked, and threw my camera under my feet (everyone wants money for picture-taking there).We had to let one of them into the car as our "guide", after paying them a negotiated lower fee, being that 2 in the car were locals. The guy warmed up after my 27th question or so, and humored me and the Spaniard by busting open a Cocoa nut (not a coconut. hmm.) and letting us eat it. I kissed it, out of respect for all cocoa has done for me in my life, forgiving the addictive pitfalls. I'm stronger for it.
Anyway, the not-jungle junglescape was marred by only one thing - the noise of a powerplant coming from somewhere below. The trickling falls I baptised myself in are apparently torrential, flooding the whole area we walked, when they open some dam at the top of the mountain. It all seemed to defy the primitive, natural state of the place. So he walked us up to the building where the racket came from. Our Togolese host got the scoop and yelled in my ear that the Germans had this rigged up when they took over "Togoland" ages ago - and the machinery itself was I think Hungarian. It looked like something out of Wonka's factory, not like something that could provide electricity for a century or so to a section of the country.
Anyway, I was distracted by the rad aesthetic of these old-school panels of dials on the wall. People in the states try to create things that look like that wall. I took pics of them and hope to make big ass prints of them as 4 posters or something. Anyhow, somehow those dials and wavering needles by the dozens were the only thing between this attendant and a catastrophic incident, or so I imagined. All I know for sure is that this sweet man (who probably had not been visited in quite some time during one of his daily 12 hour shifts of staring at the dials and writing in an ancient notebook all of the numbers) seemed unphased by the nature of his work. He was smiling when we walked in, and smiling when we walked out. I don't know anything else - what does he think about? Does he have family? Has anything scary ever happened? Does he get anxious about Danger de Mort? Scared someone is sneaking up on him with a lead pipe or coconut or something? I just asked if I could take his photo and enjoyed a gloriously human handshake with a beautiful person.
More tributes coming, to people who work a hundred times harder than I do without thinking much of it, to barely get by. Here's a song by a beloved, Malcolm Holcombe (see sidebar for SleepytimeSongs explanation).

Sunday, September 19, 2010

Mornings in Togo

Today I woke up in my own bed, in my own apartment, in the U.S.A. Had I arrived at night and gone directly to bed, I’m sure that upon waking I’d have begun the impossible task of scrawling the dream of time ("it felt like weeks") in Togo on my sheets with the nearest Sharpie. But my flight arrived in the morning. I took a whole day of non-contemplative indulgence in the luxuries of home, a half-hour hot shower being one of the first. Knowing I was finally home, my body basically fell apart. I gratefully and contently nursed myself all day – overdosing on fiber and (instant!) hot water, wearing a heating pad over the war in my uterus, welcoming a fever from this low-grade cold I got last week, and regularly inspecting my throbbing and bleeding gums in the multitude of mirrors in our home. The vanity registered and my face instantly bloomed spots where, in spite of pretty constant filth, there had been none.
At any rate, my back ached when I got up. My back never ached in that not-my-bed way during my trip. There was other stuff to think about.
1. “WTF is that?” to whatever (usually musical) racket made it past my earplugs.
2. “JEEEEZ!” to being again drenched in sweat from the latex mattress and pillows.
3. “Holy shit, I’m in Togo.”
I was staying in one of many bedrooms in the 3-story house (this making it a veritable palace in the city, right on one of the main drags so the real estate was gold). The walls were bare, with 2 nails. One had a hanger on it when I arrived so my summer dress hung there, more for decoration than necessity. There was a low bookshelf on which I arranged and rearranged my belongings on late nights when I needed me-time and to feel some control over things. At the foot of the bed, an old wooden armoire. Curiosity got the best of me and I was busted by the marbles-in-the-medicine-cabinet- a landslide of random shit that had been thrown in there spewed out. After scrambling to pile it back up without a chance to look at it, I shut the door and never opened it again.
The mattress was latex foam. “Your Partner for Life,” according to the hand-painted mattress company-signs we saw on trucks and a billboard in Accra. Very comfortable, most like the million dollar mattresses here without springs – I forget what they’re called. Also. F-ing hot. The two small pillows also felt rather nice – also, f-ing hot. My head would be soaked in sweat before falling asleep. Our first time at the market, my co-traveler bought me a small towel (they don’t seem to have bath towels there) after discovering I was using what we would call a dish towel to dry myself after a bucket bath. I cherished it, and used it on my pillow. There was a bottom sheet on the double bed that I just wrapped over me, to keep from mosquitos (a mosquito burrito, I called it) and because the room had a row of windows to the hall at eye-level, which no-one had qualms about looking into. Had there been a lock on the door and curtains on them windows, that bed would not be eternally soaked in my sweat. I didn’t ask for a second sheet firstly because it wasn’t really necessary and secondly because it took a couple of days for the other woman to get any sheets at all – it involved a third party somehow to get them. I regret not having washed those sheets and pillow cases myself before leaving. It’s a lot of work – though one of the many people squatting in that big house would probably be asked or paid some needed change to do it.
If it were the middle of the night and some musical rukus was the culprit, I’d grab my camera (in the bed, once I got used to this) and pull my drugged sleepyhead up to the window. Standing on the bed, I’d aim the camera into the darkness toward the noise, and record video since I had no way to record audio only. Most often this was the 4 hour amplified church service inciting singing over a band, screaming and shouting, and apparently speaking in tongues, though I’d never have known that. Rest assured, the insomniacs of Lome’ have been saved. (My Dell can’t recognize the video format, so after much editing at someone else’s house I’ll post it).
After toweling myself off and putting on some more clothes to be presentable (tank and boxers = not okay, contrary to pre-visit assurance that there were no real issues with clothes/coverage and whatever I wear here would be fine) I’d pee in the toilet-closet. Sometimes you just left it, sometimes you dumped a baby bucket of water in it, sometimes you could actually flush it. Around 3am, there was adequate water pressure to get water upstairs and the toilet tank would fill. That was great. If up, one would put a giant bucket under a faucet in the shower room and fill it. That was loud. But it saved 4-5 trips up from the yard the next day - otherwise you’d have to pour water obtained from the outdoor faucet in the back yard into the fill tank. I enjoyed carrying water up from the spout, so I endulged in flushing sometimes when not really necessary.
Togolese don’t really do breakfast. Mom had her magic tea (a fragrant sedative like no other and digestive aid), and maybe they’d have a bag or whatever-that-was. I think it was like cream of wheat? Watery corn-something? My blood sugar issues couldn’t be flexible on this one so we developed a breakfast ritual of boiled egg (available on the street), sweet bread, bananas, and pineapple. We were taken to the grocery store where only rich people shop to get some familiar foods for comfort (and sustenance, when the protein of many meals was too spicy for us to eat). We got stuff to make “French toast” for everyone. Wary of leaving the foreigners to the kitchen, especially with so many questions, Dad and this helper-guy we called Kenyay got involved and the resulting Spanish-Togolese-American fusion was deep-fried eggy baguette slices with honey. The Spaniard busted out the “Jabon” which was probably the only part Dad liked. She, I believe, was disgusted by the habit of the parents to touch just about everything on a plate with their hands (which they of course eat with) before making a selection. I loved that morning. Our host-friend would later reveal in a drunken rant that we were basically travel-pussies and didn’t really want “the real African experience” as exhibited by our small stash of familiar foods (cheese, Nutella, butter which was mostly a gift to mom, and 2 cans of tuna), by eating breakfast, and inquiring about parks or places we could see nature. Not my favorite night.
(the trip North to “see nature” in the more mountainous region of Kpalome that led us to bathing in the cascades of the jungle-woods was no doubt our host’s favorite part of our stay. Funny how out-of-towners can introduce you to your habitat!)

Tuesday, September 14, 2010

I Bless the Rains

Down in Africa,is what is being said in the chorus of the Toto song, in case you wondered. I am so grateful to the couple of downpours I've seen here. Things get quiet(er). The energy in the air changes entirely. People bombarding others and dodging bombardment on the street take cover and actually see each other, it seems. The other woman on this trip sat quietly on the terrace and seemed calmed by the water and the people-seeing versus this sort of dread toward the street because of said bombardment. The temperature dropped quickly with an almost-cold breeze right before the sky opened up. I needed to wash off the crankyness and negativity that was suffocating us in the house, plus taking bucketbaths is wicked tricky and getting my thick head of hair wet by shoving it in a bucket barely works. So I danced around in the what-we-would-call-courtyard of the what-i-call compound where, in the rain, the jungle-like vegatation is suddenly dominating the space over the dirt, dirt covered wood and metal junk, and randomness. Water from the roof pours don onto the trunk of the palm tree at the corner of the house and then cascades down in this girl-under-waterfall-in-shampoo-commercial way. There's a wall around this cluster of houses censoring the show for the hundred or so people outside it. I had been surveying the rainfall and preparing for my shower in it, standing on the second floor terrace in boxers and my bathing suit (a bikini top that is about as sexy as a ritz cracker with EZ cheese). Vendor-women standing across the street pointed. The other girl here is now doing flamenco with headphones on, on that same terrace.
There aren't many pairs of young white girls in Lome. So everyone in the hood probably is aware of us, and this behavior, no doubt, would not surprise them. I err on the side of Not Pissing Anyone Off. I'm also conscious of the favor our extremist pal in the U.S. did all of us with his plan to burn the Quran. The Spaniard here is cut of different cloth and will have some photos of great moments and sights i will not.
Anyhow. The rain is now almost deafening on the tin rooves and palm trees. But the bass and drums of the ever-playing dance music will not be outdone. Hopefully we'll lose power again in a bit and really enjoy some quiet. (i have done REALLY well enjoying the Totally Different, but in the final stretch here am finally feeling some pangs of I Want My)...
Tonight if the rain ever stops we are going to a place that serves 'cheeze burgers'.

Today we walked down one of the hundreds of unnamed dirt streets nearby where Yawo's brother owns a hotel. (not what you are picturing). There was a tinkering sound, like someone hitting a tin bell. A tall skinny dark old man came out of nowhere and walked between us with bolts of dark fabric and an old sewing machine balanced on his head. Like in my sleeping-dreams, I couldnt get my camera in time to capture it so I would know if it was real or not.

The rain was winning for a minute. The music blaring out of those notoriously crappy speakers is going to blow a fuse and save us all.

Saturday, September 11, 2010

Big Time.

I had to leave the country the day this mutha in the Arlington Advocate went to press.
This is a great article but the printed version is a really nice piece of work by Nicle Laskowski that features this huge picture of my work table with all the stuff labelled. I'll post it here when I get home.

Monday, September 6, 2010

Comment ça va? Bien...

Lomé, Togo. It’s a small country between Ghana and Benin of which I knew almost nothing about except that my friend Yawo with whom, I travelled (UWP cast E95) is from there and started talking about bringing me to rock the villages of the motherland probably the first week of our year of travel. It took (holy sh°t) 15 years, but here I am.

I can’t post pictures but let’s go back to being amazed I can see who is on facebook in Boston from a house that only kinda has running water in West Africa. I was in sad shape before my trip, more critically so with each day. I find that’s often the case with major voluntary life events for me. When I think I’ve been rendered completely incapable the universe says ‘’REALLY ?’’, gives me a good shove to the ground and I find myself bootstrapping to answer whomever is asking ‘’how bad do you want it ?’’ A few good friends echoing the wisdom ‘just get yourself on that damn plane’ did the trick.

Hurricane Earl, though headed for the carolina coast the day of my flight out of DC, did not exist in this parallel universe. I stopped tracking it on the web since there was nothing i could do about it, and all flights were not only on time but smooth like buttah. I did have to check my bag last minute because of deadly nailpolish and scented lotion Yawo suggest I bring (FYI, they have nailpolish here, and no one cares what i smell like). People were losing their sh°t in DC at security. Again, You’re gonna make the flight or not. Going ape and making everyone else miserable isn’t gonna help. Thank you thank you to my teachers – travel is so much more enjoyable nowadays. Anyhow, the kid sitting behind me on this half empty flight to Ghana started puking and hyperventilating. Eventually they took him off the plane ; Again, we somehow got to Africa early. I was the white girl taking tons of pics on the plane (mostly trying to figure out my camera) as we landed. The flight left DC at 10pm. It was long. It was mid afternoon at touchdown in Accra. I have no idea how the hours work out there. Again, good to be Winnie the Pooh in some situations. And that is the most boring part of my journey. This keyboard blows (french configuration) and I indeed have travellers’ tummy. I think even the water we are buying and drinking in these ubiquitous plastic bags is weird. Good thing I only eat bread.
I will say I have many stories to tell, and the mind that leaves the present and leaps ahead to find something to be miserable about worries there will be no one to listen. I think the toxic glow of the computer screen is putting me in that state so I’ll sign off. Now I’m off to craft something for my hosts, Yawo’s parents, that they will not really like. They want good whiskey, not nesting paper boxes. Oh well. They know my heart’s in the right place. And I Didn't bring a sampling of my paper collection to get me across the border. (ok maybe i did think it would help. wrong. But wait till I bust out my Obama stamper at immigration on the way back)...

Monday, August 23, 2010

5 months later....


I won't waste a paragraph on my Issues that keep me from making a damn thing for seasons at a time. While literally sitting IN my studio, SURROUNDED by all my cool raw materials. But I've got a fire lit under me, so here I go...
Open Studios is Octover 16th and 17th. I think I will have less space and need to stop trying to top myself with my need for "creating an environment", being that I'll be on one side of a well-lit hallway with a jeweler or something 4 feet across from me. So, I'll skip the installation involving my bed this year and focus on ladders.
Anyhow, sadly, not much new stuff to show. I spent just about every moment of my functioning free time this summer working on a chapter that is DONE, more on that later, and now and am readying for a traip that will take me overseas for my prime artmaking time (september). 
HOWEVER, I do have a goal of learning some basic wiring skills to make pieces using LED lights work forever. I also "have to" finish stuff i meant to do last year but didn't. So there's a key chime ready to be made. I started tuning the keys tonight after building the apparatus to hold the thing up and test the keys. Here's the fascinating video. I forgot the interesting part, which is that pitch is not really related to how the keys look or feel. It's pretty dang random. Which is why I have to test each one. Arranging them by size etc is a waste of time. Even the exact same key, in duplicate, somehow often has a different pitch. I like it. It matches my systemless brain.




And here is some unfortunate footage of visitors uncharacteristically destroying, being disinterested in, or making a bizarre underwater cosmic sound much less beautiful than the actual chime i made for the children's museum. I swear.

Tuesday, May 11, 2010

only, walking. for a while.


only, walking. for a while., originally uploaded by geyser.


So, gadblessem, my pals went ahead and surprised me and put me way over the top, surpassing the kind-of-joking fundraising challenge that If i raised a THOUSAND bucks, I'd walk not only with Beary White on my back, but that Jarrett, my goat(puppet) will ALSO be along for the ride.
How TF am I going to do this, exactly?
He's heavier than he looks.
Well, he does look kinda heavy.
I think I may have to craft some sort of backpack apparatus surgically attached to his belly. Can Jarrett the goat get a piggyback ride on HIS back? In a baby carrier or something? I was thinking a front-baby wrap thing, but with Beary's arms around my engines, there's no room...
Craigslist ad: Dreamer needs engineer... it's for the CHILDREN.
Advice/help appreciated. getting some aeration between my sweaty back and Beary would be great.
Also, I'd like to actually let Jarrett walk across the finish line (he walks REALLY slow, so he can't walk the whole thing. He'll have to be carried.) So, does anyone have 4 baby sneakers her could wear? I know his soft hoof leather would wear right off. He's a Carpetgoat, so.

Thursday, April 22, 2010

$725 and i walk the 5K with Beary White onmy back.

So...
First a gym membership, used solely for boxing class and the sauna following, now I think I'm a marathon runner. Ok, not so, but I never saw myself as straining myself physically for any cause other than getting a bag of chocolate bars open, or looking like a champ in boxing class. But here I am. Walking, not running, 5K, which I hear isn't far, for my favorite cause. Y'all need to get on board with dealing with the phenomenal number of young children who are without homes. Can't play with them for a couple hours a week? Fine. Throw a couple bones my way so they can do their job while critical services are cut from budgets and more families are losing their
"normal" lives and dropping into homelessness. Beary White (see fundraising page if you haven't met) will be joining me of I reach my fundraising goal. Just click on "donate" to check it out... no obligation to donate, it's just a link to my page.


Saturday, February 13, 2010

Here We Go...



Any ideas for how I might throw a profitable fundraiser party in Boston to help make this happen, lemme know. I'm all ears.
Will sing for money for Polyphonic-Up-With-People. or craft. or clean. whathaveyou.

Saturday, January 30, 2010

Played a "gig". In "public". It was fun.

After playing the Midway (what is it with dive bars in Boston putting "cafe" after their names?) with my brother's band a couple of years ago, I knew I'd found my calling. The listening-room nature of folk venues is nervewracking - it's like you're supposed to have fun, in front of cross-legged people watching you do so. Rather than the group-fun being had by all at the Can Tab on Tuesday nights where I'd go home hoarse from all my hollering from the back of the crowd. So my annual see-how-this-goes foray back into performing has been at Passim, my first "home" in Boston, where the people who supported me since hearing me play the open mics there still come out to clap and say my voice sounds fine. Even though my mind has less and less a hold on me with every passing year, my body doesn't seem to get the memo, and in those silent moments, my hands begin to shake, throat closes up, and I wish everyone were high or drunk, cause for some reason I'd be able to relax more in that case. But back at the Midway, people who didn't give a shit were talking, people who did give a shit were half listening half talking or singing along or yelling at me. It was great. Plus, I really love being on stage with other people. Matt at Passim has graciously seen to it that I not be on stage without a close buddy within reaching distance (see pics from last campfire).
So, even though no major changes, that I know of, have gone down with my voice, and whispering sleepytime songs at my computer nightly is still the most I assume I can muster vocally, I found it undeniably synchronistic when a coworker asked out of the blue if i'd like to open for his band at some bar downtown - in 6 days. "Sure."
It just seemed like it was time. I built an image in my head of what this would be like (based on Yelp, in part) and dug for non-folk songs that would be upbeat and rowdy enough as an opener for the 3:27's, who play infectiously jumping Police-type music that I imagined would attract a crowd that would truly hate some girl-with-guitar-folk-singer-songwriter bullshit.
Of course, it was 8 degrees outside, most stayed home, and so it just ended up being my cluster of highly-committed friends sitting there, for whom I could've played anything. Not the point. I needed to spend this week remembering how much I love to Sing Out, if you will.
 In the car, for like the last 4 months or more, I've become obsessed with drums. After some time spent with Cape Verdian drummer Tony Fonseca last summer, I thought hand drumming would cover it. Because I don't know anyone with a drumset. (I dated a drummer for a short time years ago and took about 3 lessons, before his 8 year old son moved in on the action and surpassed my skills immediately while I childishly stomped away in a constant fight for said boyfriend's attention. There's a losing battle I learned nothing from - next partner had 3 genius sons. Glutton for punishment). Anyhow, I am now the Air-Drummer In The Orange Car, with the Polar Bear. I even taught the preschoolers my limited air drumming skills - they slam the imaginary symbol to the right "when they feel it". It's awesome.
So I pretty much need to rock, and this was my baby step towards that end. Sweetwater "cafe", in THE ALLEY. With frozen fingers I half-assedly played some songs I don't quite know for my buddies, got a bit reacquainted with the whole monitor/pickup/PA system crap, failed to stay focused while a basketball game played in front of me, etc. The 3:27 boys joined me on kazoo solos for Careless Whisper, which was pretty much the highlight of my winter. Check it: TWIN, DANCING BACKUP BOYS!
I joined them for So Lonely, delightfully out of my range, couldn't be happier, jumping around and yelling into a mic with a great band and beer drinkers, girls dressed like Jersey hookers stumbling down from the club upstairs and past us for the bathroom. It was great!! Let's hope for a replay, same venue, lots and lots of peeps come out, and I play more with the band! I'll do this till I completely lose my voice again, then - DRUMS!

PS - the Popcornballs at Midnight piece was accepted for The Yellow Show at BCM! woo!

Saturday, January 16, 2010

Back to Work! This is a weird one....

Originally had it in mind to get this done to enter into the running for a show at the BCM Gallery, for a show Jenn and I are pulling together called The Yellow Show. But it's just pretty weird, I kind of messed it up in the pictures i chose... but I made one of these once, it was really cool, and sold. So I decided to go ahead and this time take notes on how I did it so I'm not reinventing the wheel every time.
I don't know what these are called.
This one is called Popcornballs at Night.
How to:
First, choose hi res. pics that compliment each other somehow. For this, I used one image and used my minimal "skills"/luck on Paint Shop to mess with it. I only realized AFTER picking up the prints - I should've made the ONLY change between the 2 images be the appearance of the blue ball. duh. To lazy to correct, I press on.
Matte prints are ideal, I went for 8x10.


I decided to use my rotary chopper to slice them both into 1" strips.
I suck at measuring and marking. I'm learning every time. Mostly I'm learning that I'm my own boss so I can do my eyeball-magic/whatever works. But the guide on the chopper helped make this part a lot less painful than the rest. I'd swear my rulers are all inconsistent. My dreams are about stuff like that. I digress.






I found a 20 inch long piece of matt board (way to hoard) and marked it up for 1" stripes, to make a big ol' accordian.





I scored every other line on one side. I remembered from my first one of these that poor scoring made for really gross fuzzy seams on the open folds, so i tried to do better, without cutting all the way through.


Yeah, I know there's a easier way to do this. But I now had to mark and score the OTHER side, and i just couldn't measure 1" strips across the whole thing like i did on the first side. I knew they'd never line up, and that would be a BIG problem. So I kind of extended the lines over the edge AND remeasured, before drawing and scoring the alternate lines on the backside.


Lots of re-scoring later (with my Fiskars finger blade. That thing rocks) my accordian had nice, consistent 1" panels. YESSSSSSSS....

I dropped in all the picture-strips to make sure they fit. Yep.




After messing up the first strips with a FUBAR with sheets of adhesive dots (my handy little scrapbooking roller-adhesives were spent) i went back to my trusty favorite adhesive of all time, DOUBLE SIDED SCOTCH. Taped in left-side panels, then right side, pressing  them into place with my chamois-cloth-like spaceage no-scratch sweater sleeves.




Totally weird but f-ing rad. Now, the really hard part.







The illusion fails if you dont get the folds just-so. The panels have to be at a consistent angle. So I played around with it a bit and decided 1.5" were good intervals for planting the bottom creases to a base. I stuck a super sticky dot at the top and bottom of each line and pressed the folds, one at a time, onto them. Only to find that's too wide and the effect was kind of wonky. So I pulled them all up one at a time and just moved them over a smidge (luckily the dots are big) and eyeballed the angle of the folds.

I hot glued strips of mat board to hold up the last slats. Trust me, all this will make life a million times easier when i figure out some kinf of frame to drop this into.



















GET IT??? POPCORN BALLS? THAT TURN BLUE? EXCEPT FOR THE EVIL-SHEEP ONE???